Amek Mozart

Der Klassiker aus England

AMEK Mozart

Kompromislos

Regie

guter Überblick - Die beste Technik

Das Amek Mozart

mit allem ausgestattet, was das Herz begehrt: Neve EQs, Neve Preamps

Klassisches Design

Mit einzelnen Kanalzügen

Mikrofone

Neumann und co - Deine Musik ist zu wichtig für einen Kompromiss!

Neumann U47

Eines der besten Mikrofone der Welt - Von den Stars geliebt

3 Stück im Studio - Privatbesitz

Neumann M49

- Platz 2 der begehrtesten Mikrofone

- Und einfach genial

Neumann M149

- Aktuelle Version des M149

- Im Studio als Stereopaar

Neumann U87

- Der Industriestandard

- Versionen U87, U87i, U87ai

- 7 Stück im Studio

Tul G12 Vintage

- Die Geheimwaffe aus Südafrika

Neumann U47fet Collectors Edition

- Solid State Version des U47 (Stereo-Paar)

Neumann U89i

Weiterentwicklung des U87ai

Stars lieben das U47

- Mich Jagger

- The Beatles

- Ami Winehouse

- Michael Jackson

- Mikrophons:

- Neumann M49 tube mic - Auf Anfrage, da Privatbesitz
- Neumann / Telefunken U47 1952 - Auf Anfrage, da Privatbesitz
- Neumann / Telefunken U47 1955 - Auf Anfrage!, da Privatbesitz
- Neumann U47 1957 Auf Anfrage!, da Privatbesitz!
- Neumann U47 fet (2x Collectors Edition)
- Neumann M149 (2x tube mic K47 capsule)
- Neumann U89 i
- Neumann U87 (1969)
- Neumann U87 (3x early 70th)
- Neumann U87i (mid 70th)
- Neumann U87Ai (2x)
- Neumann TLM 193ni (2x- Limited Edition)
- Neumann KMS 105ni (2x)
- Neumann KM 84
- Neumann KM 150
- Neumann KM 184
- Telefunken M221 (tube mic)
- Telefunken M411 (AKG D17)
- Tul Retro G12 2x (Joe Bonnamassa's guitar microphone)
- Tul Classic G12 (Joe Bonnamassa's guitar microphone)
- AKG C 414B-ULS (2x)
- Audix OM-3xb (3x)
- Audix OM-6
- Electro Voice RE 20
- Revox M 3500 (2x)
- Sennheiser MD 541 (4x)
- Sennheiser MD 441 (3x)
- Sennheiser MD 421-2 (2x)
- Sennheiser MD 421-N (4x)
- Shure Beta 87A
- Shure SM 58 (2x)
- Shure SM 57 (2x)
- Shure Beta 58A
- Shure Beta 57A (2x)

Preamps

Ein Mikrofonvorverstärker ist eine elektronische Schaltung, welche die schwache Signalspannung am Ausgang eines Mikrofones nach dem
Mikrofonimpedanzwandler auf brauchbare Werte verstärkt - Englisch Preamp. Die Qualität des Preamps ist sehr entscheidend für den Sound

NEVE 4081

-Einer der besten Preamps

Manley Voxbox

-Spezialist für die Stimme

-Vollröhrentechnik: klingt warm und sehr sauber

Unversal Audio 6176

-610B ein klassischer Röhrenpreamp

Neumann V476

- Der diskret aufgebaut V476 gehört zu den besten

PREAMPS:
- 1x Amek 9098 Neve Preamp
- 30 Amek MZ 11
- 12 AMEK MZ 12
- 1x Ampeg SVT Vacuum Tube Mic Preamp
- 1x Manley Voxbox (Tube-Preamp, Comp + EQ)
- 1x Neve 1073 DPX Stereo inkl. Neve EQ
- 1x Neve 4081 (4 Preamps)
- 6x Neve MZ 15 RN
- 6x Neumann V476b
- 1x TL Audio C1 Stereo (2 Preamp)
- 2x Universal Audio 6176 (Tube +EQ)
- 4x Universal Audio 4110 (16 Preamps)
- 1x Universal Audio 4-710d (+ Comp)

,

Outboard: Kompressoren und Effektgeräte

Solid State und Tube

Teletronics LA2A

Kompromislos für die Stimme

Universal Audio - 1176

in der Version: 6176

Universal Audio - 1176

4 Custom Made Versions

Amek9098 by Rupert Neve

auch ein ungeschlagener Klassiker

Lexicon 300L

Einer der besten Hallerzeuger am Markt wir haben vier im Studio

Lexicon 300

Die Rackversion AES 300 des Lexicon 300 L

tc.electronics M3000

Großartige Räume

Yamaha Rev7

Vintage Reverbrator 2x im Studio

COMPRESSION / DYNAMICS
- 2x ADL 1000 (La-2A Tube)
- 1x Amek 9098 Dual Compressor Limiter (Rupert Neve)
- 2x Focusrite Red 3 (Stereo)
- 1x Juenger D02
- 1x Juenger D05
- 1x Manley Vox Box (Tube)
- 1x Summit TLA 100 A (TUBE)
- 1x Teletronix La 2A (Tube)
- 1x t.c. electronic DB MAX (Stereo)
- 1x TL Audio C1 (Stereo)
- 2x Universal Audio 6176
- 4x Urei 1176 LN (Customized)
- 1x Urei 1178 Dual Peak Limiter

EFFECTS
- Lexicon 300 L 3.5 (incl. Larc)
- Lexicon 300 L 3.5 (incl. Larc)
- Lexicon 300 - 1.00 (DES)
- Lexicon 300 - 2.01 (DES)
- Lexicon LXP1 (incl. MCR)
- Lexicon LXP2 (incl. MCR)
- t.c. electronic M3000 V 1.05
- t.c. electronic M3000 V 2.04
- 2x Yamaha REV 7 (incl. Remote)
- APHEX Aural Exiter TypeB

Instruments

All you desire

1952 Fender Esquire

"Lizzy" Blackguard Esquire with added Neck Pickup - only 250 made in 1952

1953 Fender Telecaster

"Snowy" - Original Blackguard Telecaster

1969 Fender Telecaster

"Blondie"

1969 Fender Thinline Telecaster

"Little Greeny" Number 2 of ten "7Up Green" Thinlines August 69 - Extremly rare

1956 Fender Stratocaster

"Violet" Late 1956 - Collectors dream

1963 Fender Stratocaster

"Stevie" - Custom colour black - Very early 1963 - 1962 specifications

1964 Fender Stratocaster

"Lilli" Maple cap - Beloved and played - pre CBS

1974 Fender Stratocaster

Hardtail Sunburst -"Minty"

1957 Gibson Les Paul Special

"Hannah"TV colour blond

1955 Gibson Les Paul Standard

"Rusty": Converted to 1958 PAFs - Only a few ABR tunomatic-bridge models were made at the end of 1955

1968 Gibson Les Paul Standard

"Gainer" Converted 1962 PAF pickups

1968/69 Gibson Les Paul

"The Swan": '58/59 Burst Conversion with original '58 PAFs

1963 ES 345 TD

"Eve" - Rare Sunburst - only 117 where made in 1963

1967 Gibson ES 335 TD

Bigsby - Cherry Red owned by Frederic Hauschild

1993 Zemaitis Metal Front

Zemaitis Dragon Front made for me

1965 Fender Jazz Bass

Early 1965 - Pre CBS

1974 Guild F410

12 String "Flamed Mable"

1970 Guild D25

Mahagony

2008 Martin HD 28

Woody - Indian Rosewood

1968 Gibson SJ

Southern Jumbo

1955 Fender Super Tweed

"Serviced by Udo Pipper

1956 Fender Vibrolux (Tweed)

Serviced by Udo Pipper

1965 Fender Vibrolux Reverb

Black Reverb Amp

1966 Fender Deluxe Reverb

"Blackface Reverb Amp

1965 Marshall JTM 45 MKK II

The Holy Grail: KT 66 Tubes

1969 Marshall JMP Super Lead

"Plexi Circuit" - The early Billy Gibbons sound

1968 Ampeg B25

Rare Blue Line Version

1969/70 Vox AC 30 Top Boost

Hand wired Amp

2017 Mesa Boogie 2x12 Cabinet

Privat Reserve - Flamed Maple - Translucent Amber

1975 Mesa Boogie MK I

Early 100 Watt, EQ and Reverb

1975 Mesa Boogie MK I

Imbuja Hardwood

1977/78 Mesa Boogie MK I

Hand build by Randall Smith

1984 Mesa Boogie MKIIc+

Flamed Maple - Original MKIIc+

1983 Mesa Boogie MKIIc+ Imbuja

Upgraded By Mike Bendinelli

1984 Mesa Boogie MK IIc+

Birds Eye Maple - Original MKIIc+

1983 Mesa Boogie MKIIc+ (Flamed Maple)

Upgraded By Mike Bendinelli

1983 Kitty Hawk Standard

Birds Eye Maple - Reverb

1983 Kitty Hawk Standard

Custom made by Kitty Hawk: Small Top + Cabinet

1981 Kitty Hawk Dumbel Overdive Special

Hand wired - Top

1979 Dumble Overdrive Special by Applied Acoustics

Hand wired - totaly restored

1956 Gretsch Round Badge

Cymbals: Zildjian, Paiste

1956 Hammond C3

Church Version of the B3

1979 Wurlitzer

A 200 - E Piano

1979 Yamaha C3

Conservatory Classic Collection

*Die hier gezeigten Instrumente und Verstärker befinden sich aus Gründen der Sicherheit nicht im Studio und deren Nutzung ist nicht automatisch Bestandteil des
Buchungsvertrages. Siehe AGB's! Der Einsatz der Instrumente ist vorher der Buchung mit dem jeweiligen Produzenten oder Tontechniker zu besprechen.

INSTRUMENTS
Drums:
-1956 Gretsch Round Badge (Natural - Privat Collection)

Electric Bass:
- 1965 Fender Jazz Bass (Sunburst - early 65 - Pre CBS)
- 1982 Squire Jazz Bass (first Serie Japan)

Electric Guitars:*
- 1952 Fender Esquire (Blackguard added Pickup)
- 1953 Fender Telecaster (Blackguard)
- 1969 Fender Thinline Telecaster (7 Up Green)
- 1956 Fender Stratocaster (Sunburst)
- 1963 Fender Stratocaster (Custom c. black)
- 1964 Fender Stratocaster (Sunburst Maple Cap)
- 1974 Fender Stratocaster (Sunburst Hardtail)
- 1955 Gibson Les Paul Standard (Converted to '58 PAFs)
- 1957 Gibson Les Paul Special (TV Yellow)
- 1963 Gibson ES 345 TD (Sunburst)
- 1967 Gibson ES 335 TDC (Cherry with Bigsby)
- 1968 Gibson Les Paul Gold Top (Converted to 62 PAFs)
- 1968 /69 Gibson Les Paul (Converted to 1958 burst with '58 PAFs)
- 1976 Gibson Explorer - "Limeted Edition".
- 1977 Zemaitis Flame top
- 1993 Zemaitis Metal Front (Dragon)

Acoustic Guitars*:
- 1968 Gibson SJ - Southern Jumbo
- 1970 Guild D25 - Mahagony
- 1974 Guild F410 Acoustic (12 String)
- 2008 Martin HD-28 Acoustic

Further Instruments:
- 1956 Hammond USA C3 (like B3) with 122 tube Leslie
- 1979 Wurlitzer 200 A
- 1979 Yamaha C3 Grand Piano (Flügel) *
Conservatory Classic Collection
- 1980 Fender Rhodes

Amplifier (Guitar):
- 1953 Fender Tweed Pro Amp
- 1955 Fender Tweed Super Amp
- 1956 Fender Tweed Vibrolux
- 1965 Fender Vibrolux Reverb (Blackface)
- 1966 Fender Deluxe Reverb (Blackface)
- 1965 Marshall JTM 45 (KT 66)
- 1969 Marshall JMP Super 100W
- 1969 Marshall Cabinet (25 W Greenbacks)
- 1969/70 Vox AC 30 Top Boost - Point to Point
- 1974 Vox AC 30 Top Boost - Point to point - Dallas Arbiter
(One of the last 50 amps that were produced with silver bulldogs)
- 1975 Mesa Boogie Mark - 1 - Walnut Wood (100W, Reverb, EQ)
- 1975 Mesa Boogie Mark - 1 - Imbuia Wood (60 Watt, Reverb)
- 1978 Mesa Boogie Mark 1 Top Zebrano Wood (100W,Reverb,EQ)
- 1983 Mesa Boogie Mark IIc+ Flamed Maple (upgrade version)
- 1983 Mesa Boogie Mark IIc+ Imbuia Wood (upgrade version)
- 1984 Mesa Boogie Mark IIC+ Imbuia Wood (Original Simul Class)
- 1984 Mesa Boogie Mark IIc+ Orange Maple (Original version)
- 1984 Mesa Boogie Mark IIc+ Imbuia wood (Original version)
- 1984 Mesa Boogie Mark IIc+ Birds Eye Maple(Original version)
- 2017 Mesa Boogie 2x12 Cabinet Privat Reserve - Flamed Maple - Translucent Amper
- 1979 Dumble Overdrive Special (by Applied Acoustics 100W - Mahagony)
- 1980 Dumble Overdrive Special (by Applied Acoustics 100W - Mapel)
- 1981 Kitty Hawk - Dumble Overdrive Special 100 W
- 1982 Kitty Hawk Standard Owk (60 Watt, Reverb)
- 1983 Kitty Hawk Standard Mahagony (100 Watt Top, Reverb)
- 1983 Kitty Hawk Cabinet Mahagony (EVM 12L)
- 1983 Kitty Hawk Standard Maple (60 Watt, Reverb)

Amplifier (Bass)
- 1968 Ampeg B25 - 55 Watt
- 1974 Ampeg B25b - 55 Watt
- 1974 Ampeg B25b Cabinet
- Ampeg SVT Tube Di (Made in USA)